Free Admission | Saturday, August 29th - 8:00 PM - 11:30 PM CST | Canada | 2026 | 210 min | NR | Directed by Various
Nuit Blanche Regina is a transformative after-dark arts festival that affords goers the opportunity to experience art like never before. For one night, Regina’s Downtown is taken over by artists and creatives in an attempt to disrupt the concept of an urban environment. This year, artists step into The Great Unknown, a thematic exploration of what lies beyond our understanding or control.
Enjoy two multi-media performances from travelling artists in the RPL Film Theatre!
Matthew Cardinal (Edmonton) & Stephanie Kuse (Saskatoon) - 9:00 PM
Matthew Cardinal is an amiskwaciy (Edmonton) -based musician, composer, and sound designer, known for his work with Polaris Short List nominee group nêhiyawak. His music moves from delicate, minimalist pieces to vast drones and sparkling, modular synthesizer compositions.
Stephanie Kuse is a Saskatoon-based media artist working with digitally manipulated video footage of natural textures to create painterly abstract video art. She amplifies and distorts details pulled from patterns and textures found in nature. The resulting compositions are vibrant and synthetic, maintaining the organic energy and movement derived from the source material.
The pairing of Cardinal’s meditative audio journal entries with Kuse’s sparkling visuals results in an enveloping and otherworldly A/V experience.
https://arts-crafts.ca/artists/matthew-cardinal.html
https://sckuse.net/
Seulement (Montréal) - 10:00 PM
Seulement is the solo project of Mathieu Arsenault, an electronic musician and audiovisual artist from Montreal. His work explores the imperfections of the human body in our era of technological perfection. More specifically, he is interested in the integration and transformation of the human voice and gesture in digital arts. First known as the lead singer of the electronic rock band Technical Kidman, his solo practice now extends toaudiovisual performances, as well as albums and experimental films. His work has been presented at numerous festivals including MUTEK Montréal (CA), ELEKTRA (CA), Videocittà (IT), Modular M+ (HN), CODEC
(PE), Lunchmeat (CZ), Wavelength (CA), Sound/Image (UK), International Film Festival Rotterdam (NL), Festival International des Films sur l’Art (CA), Iceland Airwaves (IS) and
Suoni Per Il Popolo (CA).
Bricolage Architecture is an audiovisual performance that combines stop-motion animation and live modular synthesis. It features minimal, hyper-flickering geometric abstractions reminiscent of computer-generated images. The difference being that they are all handmade using cardboard cutouts photographed on a light tablet. Aside from editing and cropping, no digital processing is applied to the photos. They are shown as they were taken, without concealing the imperfections in their lines, the tears in the cardboard, and the imprecisions in their movements. Rather than using purely electronic sounds, the music also opts for a more
physical approach. It is constructed from snippets of recordings of my own voice that are transformed live using the modular synthesizer. To simplify my approach, we could say that I use my hands to create shapes that mimic digital imagery and that I use my voice to produce sounds that resemble electronic synthesis. By imitating technological processes with the body, the
performance seeks to incorporate the human gesture back into the digital arts practices which tend more and more towards
depersonalization.
Pushing the body to imitate what the machine can perfectly execute generates imperfections in both sound and image. However, the tears in the paper and the trembling of the voice are exactly what the performance attempts to highlight. This process induces a human feel to sounds and images we more often associate with a digital aesthetic. In this way, Bricolage Architecture creates a tension between the irregularities of the human gesture and the systematic execution of the machine. It questions the position of the “imperfect” human body in our world of so-called “technological perfection”. The performance has been presented by MUTEK and ELEKTRA in Montreal, by MUTEK MX in Mexico City (MX), MUTEK AR in Buenos Aires (AR), M+ Modular in Tegucigalpa (HN), Videocittà in Rome (IT), CODEC in Lima (PE).
The RPL Film Theatre screens the best of world cinema – up to 15 films a month. The Film Theatre has “something for everyone” and is the only cinema in the city to consistently present critically-acclaimed contemporary and alternative cinema: Canadian, foreign and independent films and documentaries.
For more than 50 years, Regina Public Library (RPL) has played a pivotal role in the cultural life of the city of Regina and surrounding areas. In the mid-60s, interest in a permanent venue for film enthusiasts grew into a program at the Library – a co-operative effort between the local Film Council and the National Film Board of Canada. A landmark year for the cultural, multi-cultural and surrounding business communities was 1975, the year the RPL Film Theatre was officially launched.
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