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This exhibition runs September 23, 2023 – January 10, 2024 at Dunlop Art Gallery (Central Library)
The Indigenous curatorial mentorship program is a partnership between Sâkêwêwak First Nations Artists' Collective Inc and Dunlop Art Gallery. Recognizing the need for more Indigenous curators living and working on Treaty 4, the program aims to create a unique mentorship opportunity for an emerging Indigenous curator and provide a generative space for study, discussion, and critique.
Brianna LaPlante is this year’s mentee curator, was mentored and guided by Alyssa Fearon and Holly Aubichon. The mentee selected artwork from Regina Public Library's Permanent Collection for an exhibition this Fall at Dunlop Art Gallery.
The exhibition includes work by Jane Ash Poitras, Keith Bird, Bob Boyer, Darren Desnomie, Leah Marie Dorion, Sherry Farrell-Racette, David Garneau, Simone McLeod, and Edward Poitras, Florence Ryder.
Brianna LaPlante is a Fine Artist from Fishing Lake First Nation. LaPlante’s larger scale commissions have been sought out to elevate Treaty 4 spaces as an artist from the land. Artwork is an act of lifelong learning and resilience for her as an Anishinaabe/nehiyaw/ Michif creator. Her work is rooted within the elevation of Indigenous knowledge systems informed by the intersections of her life experiences. Underlying tones of her road to reclamation of both language and culture are present within all that she puts out into the world. This narrative is further explored through the multifaceted artworks dialing in on the evolution of culture and the dualities of existing in the two worlds of ceremony and urban life. Her artworks engage mind, body, and spirit.
Image: David Garneau, Displacement, Indigenous Scholarship, acrylic on canvas, 2019.
AGE GROUP: | Adults |
EVENT TYPE: | Dunlop Art Gallery Exhibitions |
TAGS: | Past | Dunlop Art Gallery | Artist and Author Talks | Art |
Christina Battle, William “Billy” Beal, Anna Binta Diallo, Cheryl Foggo, Judah Iyunade, Richard Allan Thomas, Chukwudubem Ukaigwe, NASRA, Frank B. Jamerson fonds
BLACK PRAIRIES honours more than one hundred years of Black/African-Canadian cultural production in the Prairies, spanning the 1920s to the present, with a focus on lens-based media. The exhibition includes newly commissioned contemporary artwork, original glass plate negatives by early 1900s Black Manitoban photographer William “Billy” Beal, and archival photographs from the City of Edmonton’s Frank B. Jamerson fonds.
Beal’s glass plate negatives, taken between 1915 and 1925, document homesteading life in western Manitoba from the perspective of a lone Black man living in an all-white rural township during the early 1900s. Meanwhile, the photographs in the Frank B. Jamerson fonds, created by unnamed photographers, depict everyday Black life in and around Amber Valley, Alberta—a historic community formed during the Great Black Migration of 1910. This migration saw African-Americans fleeing racial violence in the United States to seek refuge in the Canadian Prairies. The selected photographs in this exhibition capture the first thirty years after the migration, reflecting the experiences of the first generation of Black migrants in the region. The contemporary artists in this exhibition foster important dialogues about personal histories, a changing climate, and collective experiences in the region.
Additionally, the exhibition includes the newly created short film For Caesar by filmmaker Cheryl Foggo. The film features Leander Lane, the great-grandson of Julius Caesar Lane, a founding member of the Shiloh People, the historic African-Canadian community in Saskatchewan.
BLACK PRAIRIES provides space for communal grounding and reflection on the ongoing and ever-expanding continuum of Black life and Black cultural production in the Prairies.
Image: Rosa and Mary, Amber Valley, Alberta c. 1940, black and white photograph, 5 x 6 cm. Frank B. Jamerson fonds, courtesy City of Edmonton Archives.
